Williams, Rory
Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Williams, Thomas
Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Wilshire, Bruce W.
Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Wilson, Cyrus
Year: 1951
Complete Citation:
Wilson, Cyrus. “Concert on the Roof.” Music Journal 9/7 (November 1951): 17, 51-52.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wilson-Dickson, Andrew
Year: 2003
Complete Citation:
Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wilson, Donald M.
Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, Donald Malcolm
Year: 1962
Complete Citation:
Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.Notes: Copy in Charles Ives Papers at Yale University.
Source: Term Paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Wilson, Lawrence
Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, P.T.
Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, Peter Niklas
Year: 1988
Complete Citation:
Wilson, Peter Niklas. Review of Die Musik und ihre Zukunft, by Charles Ives. Musica 42/2 (March-April 1988): 205-207.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wilson, Richard
Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Winters, Thomas D.
Complete Citation:
Winters, Thomas D. Review of Charles Ives: A Bio-Bibliography, by Geoffrey Block. Notes, vol. 49, no. 1 (September 1992): 133-134.Source: Journal
III. Book-Length Studies
C. Book Reviews
Winters, Thomas Dyer
Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1992
Complete Citation:
Winters, Thomas Dyer. Notes 49/1 (1992): 133-134.Source: Journal
III. Book-Length Studies
C. Book Reviews
Winternitz, Emanuel
Year: 1955
Complete Citation:
Winternitz, Emanuel. “Ives, Charles E.” In Musical autographs from Monteverdi to Hindemith. Volume I-II. Princeton, NJ: Princeton University Press, 1955.Source: Book
II. Reference Materials
F. Selected Archival Materials
Wintle, Christopher, and Kate Hopkins, eds.
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wirt, Ronald L.
Year: 1976
Complete Citation:
Wirt, Ronald L. “Musical quotation in the works of Charles Ives.” B.A. Thesis, Reed College, 1976.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wise, Brian
Year: 2005
Complete Citation:
Wise, Brian. “The Flip Side of American Music.” The New York Times, November 13, 2005, 1.Source: Newspaper
VI. Topical Studies
D. Other