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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Zanten, Garth van

Year: 1951
Complete Citation:
Zanten, Garth van. “Charles Ives, Amerikaans componist.” Mens en Melodie 6/5 (May 1951): 145-148.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

Zijlstra, Miep

Year: 1969
Complete Citation:
Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zimmerman, Walter

Year: 1980
Complete Citation:
Zimmermann, Walter. “Self-Reliance.” Neuland 1 (1980): 54-58.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Zimmermann, Walter

Year: 1980
Complete Citation:
Zimmermann, Walter. “‘Self-Reliance’ —Eigenstandigke in Charles Ives’ Charakter und Werk.” In Neuland: Ansatze zur Musik der Gegenwart, 54-58. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Journal
Reprints:

Reprint: Insel-Musik. Koln: Beginner Press, 1981: 213-217.

VI. Topical Studies
A. Transcendentalism or Philosophy

Zimmermann, Walter and Larry Austin

Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. “The Third Symphony of Charles Ives.” In CMS Sourcebook in American Music. Hillsdale, NY: Pendragon Press, 2009.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

Zuck, Barbara A.

Year: 1980
Complete Citation:
Zuck, Barbara A. A History of Musical Americanism. Studies in Musicology, No. 19.
Source: Book
VI. Topical Studies
L. Ives and America

no author listed

Complete Citation:
Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Times (November 1969) 110/1521: 1144.
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Instrumentalist (November 1970) 25/4: 15.
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Soundings Northwest (June 30, 1971): 46.
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Musicology [Australia] 19 (1996): 75-77.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Complete Citation:
“The Charles Ives Society.” www.charlesives.org.
Source: Website
II. Reference Materials
C. Library and Institutional Collections
Complete Citation:
Typescript. Yale College Records, 1896--1900. Sterling Memorial Library Manuscripts and Ar-chives, Yale University, New Haven, Connecticut.
Source: Archive
II. Reference Materials
B. Catalogues
Complete Citation:
“Oral History of American Music: The Ives Project.” Yale University Library Guides. December 20, 2021. https://guides.library.yale.edu/oham/collectionsguide/ives.
II. Reference Materials
B. Catalogues