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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1923
Complete Citation:
“From Everywhere.” The Cologne Post, Issue 1303, July 1923.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Concerts for the Month: Jerome Goldstein.” Musical Advance (April 1924): 17-18.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” New York Herald Tribune, March 19, 1924, 15.
Source: Newspaper
Reprints:

“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” In <i>Charles Ives and His World</i>, 290-291. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1925
Complete Citation:
“Quarter-Tone Feature At Referendum Concert: Is Played Purposely on Pianos at Franco American.” The New York Herald, February 15, 1925, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1926
Complete Citation:
“Ives and Myrick to Move in May.” National Business Review (April 1926): 76.
Source: Journal
VI. Topical Studies
D. Insurance
Year: 1926
Complete Citation:
“Mysticism and Modern Music: The Future Evolution of Music in the Light of Anthroposophy.” Threefold Commonwealth 51 (April 1926): 2-3.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1926
Complete Citation:
“Ives & Myrick Have Floor in New Building.” Eastern Underwriter (May 14, 1926): 7, 13.
Source: Journal
VI. Topical Studies
D. Insurance
Year: 1926
Complete Citation:
“Ives & Myrick to Move in May.” National Business Review, April 1926.
Source: Magazine
VI. Topical Studies
D. Insurance
Year: 1927
Complete Citation:
“Concord.” Birmingham Age-Herald (October 14, 1927).
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Ives Composes Sonata in Modern Style.” Danbury Evening Times, November 19, 1927.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1928
Complete Citation:
“Associacion Panamericana de Compositores." Musicalia [Havana] 1/1 (May--June): 29-30.
Notes:

A notice of this newly- formed organization; indicates that the group performs works by Ives and others. Henry Cowell is the director; Nicolas Slonimsky, the conductor.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
“Recent Publications. New Music (January 1929).” Musical Courier 98, no. 10 (March 7, 1929): 46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.
Notes:

Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Review.” Chattanooga Times (April 2, 1929).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Review.” Morning Tribute [New Orleans], March 25, 1929.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Ives & Myrick Gain.” New York Herald Tribune, January 22, 1929, 38.
Source: Newspaper
VI. Topical Studies
D. Insurance
Year: 1930
Complete Citation:
“Old and New.” Danbury Times, June 30, 1930.
Notes:

An editorial quoting a re-sponse to what the difference is between the “old” and “new” schools of music by a “well--known composer of this vicinity.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
“Set for Chamber Orchestra.” New York Mirror. March 2, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Pan-American Association of Composers Opens Season.” The New York Times (November 5, 1932): 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances