Witmer, T. Carl
Year: 1929
Complete Citation:
T. Carl Witmer. “New Music.” The Musical Forecast (March 1929): 5-6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wohlfahrt, H.T.
Year: 1996
Complete Citation:
Wohlfahrt, H. T. “Unbeantwortete Frage und viele Auskünfte,” review of The Unanswered Question Festival; January 19 to 21: London. Neue Musikzeitschrift 45 (April/May): 51.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes: Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wolffers, Jules
Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski
Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy
Wollny, Ute
Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.Notes: Series included twenty-five works; Eberhardt Klemm, commentator.
Source: Journal
B. Recording Reviews
Wong, Justin
Year: 2007
Complete Citation:
Wong, Justin. “A performance approach to Charles Ives' Fourth violin sonata.” M.M. Thesis, California State University, Long Beach, 2007.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wood, Hugh
Year: 1999
Complete Citation:
Wood, Hugh. Times Literary Supplement 5045, December 10, 1999, 32.Source: Newspaper Supplement
III. Book-Length Studies
C. Book Reviews
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Woodard, Josef
Year: 1991
Complete Citation:
Woodard, Josef. “Sounds Around Town a Different Space Composer Henry Brant, a Creator of ‘Spatial Music,’ Will Accompany Michael Ingham in an Evening of Charles Ives Songs: Ventura County Edition.” The Los Angeles Times, September 26, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Woodham, Ronald
Year: 1969
Complete Citation:
Woodham, Ronald. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Music and Letters 50/4 (1969): 526-527Source: Journal
III. Book-Length Studies
C. Book Reviews
Woodson, Susan Carol
Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Woodward, Angela
Year: 2016
Complete Citation:
Woodward, Angela. Liner notes to Charles Ives "Psalm 90.” In Origins and other stories. Ann Arbor, MI: Dzanc Books, 2016.Source: Book
IV. Individual Studies by Genre
D. Choral Works
Woodward, Henry
Year: 1956
Complete Citation:
Woodward, Henry. “Processional: Let There Be Light.” Notes 13, no. 2 (March 1956): 349.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Wooldridge, David
Year: 1974
Complete Citation:
Wooldridge, David. From the Steeples and Mountains. New York: Alfred A. Knopf, 1974. Republished as Charles Ives: A Portrait. London, United Kingdom: Faber & Faber, 1975.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Woolfe, Zachary
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, Without Interruption.” The New York Times, January 16, 2012, C7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2012
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, without Interruption: Review.” The New York Times, January 16, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Woolridge, David
Year: 1975
Complete Citation:
Woolridge, David. Charles Ives: A Portrait. London, United Kingdom: Faber & Faber, 1975.Source: Book
III. Book-Length Studies
A. Biographies
Wright, Allan
Year: 2007
Complete Citation:
Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.Notes: Only one mention of Ives.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses