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Bibliography

Brown, Geoff

Year: 2003
Complete Citation:
Brown, Geoff. “SFS/Thomas: Final 4 Edition.” Times (London, England), May 12, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Torrent show: Final 1 Edition.” Times (London, England), January 28, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Steven Sloane Tinkles the Ives: Final 5 Edition.” Times (London, England), February 28, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2011
Complete Citation:
Brown, Geoff. “Classical Hilary Hahn Ives Sonatas.” The Times (London, England), December 2, 2011, 45.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Browning, J. Robert

Year: 2001
Complete Citation:
Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Browning, James

Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brown, John Robert

Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brown, Peter

Year: 1965
Complete Citation:
Brown, Peter. “Recitals: Ives on a Birthday.” Music and Musicians 14/4 (De-cember 1965): 49, 61.
Notes:

Concert on October 21, 1964 at the American Embassy Theatre in London, United Kingdom. Annon Lee Silver, voice; Ronald Lumsden, piano.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brown, Ray

Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Brown, Ray C. B.

Year: 1927
Complete Citation:
Ray C. B. Brown. “Internationalism is Keynote of Modernist Lists.” Musical America (February 5, 1927): 11.
Source: Journal

Brown, Stephen

Year: 1988
Complete Citation:
Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Broyles, Michael

Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.
Source: Chapter in Book
V. General Music Studies
C. Other
Year: 2004
Complete Citation:
Broyles, Michael. Mavericks and other traditions in American music. New Haven, CT: Yale University Press, 2004.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
“We, the Rebels.” In Mavericks and Other Traditions in American Music, by Michael Broyles. Yale University Press (2004): 1-10.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Brozan, Nadine

Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, October 31, 1992.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances