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Bibliography

Brozan, Nadine

Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, October 31, 1992.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, May 27, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brozen, Michael

Year: 1968
Complete Citation:
Brozen, Michael. “A Week for Charles Ives: Recitals by Esther Glazer/Easley Blackwood and Alan Mandel.” High Fidelity/Musical America 18/6, June 1968, 17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bruce-Clyne, Katherine

Year: 1993
Complete Citation:
Bruce-Clyne, Katherine. “Analyses of ten songs by Charles Edward Ives.” M.A. thesis, City College of New York, 1993.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bruce, Neely

Year: 1977
Complete Citation:
Bruce, Neely. “Ives and Nineteenth-Century American Music.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 29-43. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bruderer, Conrad

Year: 1968
Complete Citation:
Bruderer, Conrad. “The Studies of Charles Ives.” Ph.D. diss., Indiana University, 1968.
Notes:

Bruderer, Conrad. 1. A Comparison of the Preludes found in Common in the Clavier-Buchlein Vor Wilhelm Friedemann Bach, “the Well Tempered Clavier.” 2. A Study of the Etudes of Charles Ives, ProQuest Dissertations Publishing, 1969.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music & Letters, vol. 96, no. 2 (May 2015): 289-291.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Charles E. Ives: Symphony no. 4, edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Journal of the Society for American Music, vol. 9, no. 3 (2015): 357-360.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music and Letters, vol. 96, no. 2 (2015): 289-291.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bruhn, Christopher Edwin

Year: 2006
Complete Citation:
Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bruzaud, Radosveta

Year: 2002
Complete Citation:
Bruzaud, Radosveta. “Esquisse de la Personnalité Musicale de Charles Ives.” L’éducation Musicale (2002).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Dimension Verbale des “Take-Offs” et des “Songs Without Voice” de Charles Ives.” L’éducation Musicale (2004): 16-24.
Source: Magazine
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bryan, Paul

Year: 1975
Complete Citation:
Bryan, Paul. “Reviewed Work: March Intercollegiate, Two-Step for Band by Charles E. Ives, Keith Brion.” Notes 31, no. 3 (March 1975): 655-656.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1975
Complete Citation:
Bryan, Paul. “Orchestra and Band Music by K. M. Snoek, Charles Ives.” Notes 31, no. 3 (March 1, 1975): 654.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bryant, Sister Emily Marie

Year: 1966
Complete Citation:
Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Buchau, Stephanie von

Year: 1976
Complete Citation:
Buchau, Stephanie von. “San Francisco.” Opera News 40/22 (May 1976): 39-40.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews