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Bibliography

Bullard, Doug

Year: 2005
Complete Citation:
Bullard, Doug. “Neely Bruce and Charles Ives, Reunited: Statewide Edition.” The Hartford Courant, June 23, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bumpass, Kathryn

Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bunzl, Alice

Year: 1963-1964
Complete Citation:
Bunzl, Alice. “Reviewed Works: The Gong on the Hook and Ladder, or Firemen's Parade on Main Street by Charles E. Ives; Movement for 2 Trumpets, Trombone, and Piano by Wallingford Riegger; Introduction and Fugue. For Four Cellos or Cello Orchestra. Op. 69 by Wallingford Riegger; Ensemble for String Orchestra by Henry Cowell; Concerto for 5 Kettledrums & Orchestra by Robert Parris.” Notes, vol. 21, no. 1/2 (Winter 1963-Spring 1964) 249-251.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Burbank, Richard

Year: 1984
Complete Citation:
Burbank, Richard. Twentieth Century Music. London, UK: Thomas and Hudson, 1984.
Source: Book
V. General Music Studies
C. Other

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.
Source: Journal
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Notes:

Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”

Source: Magazine, Book
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.
Source: Chapter in Book
Reprints:

Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
“The early years of Charles Ives.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
VI. Topical Studies
N. Ives’ Childhood
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works

Burger, Peter

Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.
Source: Book
Reprints:

Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.

VI. Topical Studies
G. Music Theory Analyses

Burke, Jack

Year: 1971
Complete Citation:
Burke, Jack. Community Herald (Monona, Washington). June 10, 1971: 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burk, James

Year: 1969
Complete Citation:
Burk, James (1969) The Wind Music of Charles Ives. The Instrumentalist, Vol. 24, No. 3, pp. 36.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1969
Complete Citation:
Burk, James. “The Wind Music of Charles Ives.” The Instrumentalist, October 1969.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Burk, James M.

Year: 1969
Complete Citation:
James M. Burk. “Charles Ives’ ‘Variations on “America”’ for Band.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works