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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Noss, Luther

Year: 1950
Complete Citation:
Noss, Luther. Review of “Charles Ives: Variations on ‘America’ (1891); ‘Adeste Fideles’ in an Organ Prelude (1897).” Notes 7, no. 3 (June 1950): 446.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1984
Complete Citation:
Noss, Luther. A History of the Yale School of Music, 1855--1970. New Haven, CT: Yale School of Music, 1984.
Source: Book
VI. Topical Studies
O. Ives and Yale

Notley, Margaret

Year: 2000
Complete Citation:
Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.
Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Noubel, Max

Year: 2011
Complete Citation:
Noubel, Max. “La polytonalité dans l'œuvre de Charles Ives.” In Polytonalités, edited by Philippe Malhaire, Danièle Pistone, and Véronique Alexandre Journeau. Paris, France: Éditions L’Harmattan, 2011.
Source: Chapter in Book
VI. Topical Studies
F. Polytonality

Nushi, Dafina Zeqiri

Year: 2011
Complete Citation:
Nushi, Dafina Zeqiri. “Charles Ives “Central Park in the Dark.”” Academia. February 2011. www.academia.edu/27447863/CHARLES_IVES_CENTRAL_PARK_IN_THE_DARK_.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

O’Donnell, Shaugn

Year: 2010
Complete Citation:
O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

O’Donnell, Shaugn J.

Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Gorman, Edward

Year: 1946
Complete Citation:
O’Gorman, Edward. “Music of Charles Ives Highlights Festival.” New York Post, May 13, 1946, 30.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

O’Grady, Terence J.

Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

O’Keefe, Andrew Michael

Year: 2012
Complete Citation:
O’Keefe, Andrew Michael. “Teaching repertoire through awareness of compositional techniques.” M.M. thesis, Belmont University, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

O’Kelly, Kevin

Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Malloch, William

Year: 1966
Complete Citation:
Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

O’Neal, Barry

Year: 1980
Complete Citation:
O’Neal, Barry. American art songs: a collection of 20th century songs by American composers from Charles Ives to Elliott Carter: for medium voice & piano. New York, NY: Associated Music Publishers, 1980.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections

O’Regan, Tarik

Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

O’Reilly, F. Warren

Year: 1976
Complete Citation:
O'Reilly, F. Warren. South Florida’s Historic Festival 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

O'Reilly, F. Warren

Year: 1976
Complete Citation:
“Charles Ives: Insurance Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
D. Insurance
Year: 1976
Complete Citation:
O'Reilly, F. Warren. “Charles Ives: American Patriot, Prophetic Genius, Mod-ern Non-Conformist.” In South Florida's Historic Ives Festival, 1974-1976, 47-49. Coral Gables, FL: University of Miami, 1976.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

O'Reilly, Warren

Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ober, William B.

Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works