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Bibliography

Orga, Ates

Year: 1967
Complete Citation:
Orga, Ates. “Anglo-American.” Music and Musicians 16, no. 4 (December 1967): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ormandy, Eugene, David Ewen and F. Warren O’Reilly

Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.
Notes:

Correspondence related to Ives

Source: Archival Material
II. Reference Materials
E. Correspondence

Orr, C.W.

Year: 1955
Complete Citation:
1955 - C. W. O[rr]. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music Review (1956 May) 17/2: [169]-170.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Orr, C. W.

Year: 1956
Complete Citation:
Orr, C. W. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Music Review 17, no. 2 (May 1956): 169-170.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Orr, N. Lee

Year: 1996
Complete Citation:
Orr, N. Lee. “Research Report.” Choral Journal, Vol. 37, No. 3 (1996): 49-52.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2008
Complete Citation:
Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Orrey, Leslie

Year: 1975
Complete Citation:
Orrey, Leslie. Programme Music: A Brief Survey from the Sixteenth Century to the Present Day. London, United Kingdom: Davis-Poynter, 1975.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ortmann, Otto

Year: 1955
Complete Citation:
Ortmann, Otto. “Ives and His Music.” The Sun, February 20, 1955, FE26.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Osborne, Neale

Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Osborne, William

Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Osborne, William H.

Year: 1990
Complete Citation:
Osborne, William H. “Charles Ives the Organist.” The American Organist, Vol. 24, No. 7 (1990): 58-64.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Osmond, Susan

Year: 2004
Complete Citation:
Osmond, Susan. 2004. “Charles Ives, America’s Musical Visionary.” The World & I 19: 72.
Source: Magazine
VI. Topical Studies
L. Ives and America

Osowski, Kenneth M.

Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ostendorf, Berndt

Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ostriker, Alicia

Year: 2009
Complete Citation:
Ostriker, Alicia. “A theme for Charles Ives.” In The Book of Seventy. Pittsburgh, PA: University of Pittsburgh Press, 2009.
Source: Poem
XIII. Ives in Literature
A. Poetry

Otten, Jürgen

Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Overbeeke, Emanuel

Year: 2002
Complete Citation:
Overbeeke, Emanuel. “Boeken: “American Mavericks,” bij Susan Key and Larry Rothe (ed.).” Mens en Melodie, Vol. 57, No. 6 (2002): 232-233.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Owens, T. C.

Year: 2010
Complete Citation:
Owens, T. C. Review of A Charles Ives Omnibus, by James Mack Burk. American Music, Vol. 28, No. 3 (2010): 385.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Owens, Thomas

Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers