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Bibliography

Obert, Simon

Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oesch, Hans

Year: 1989
Complete Citation:
Oesch, Hans. Review of Die Musik und ihre Zukunft, by Charles Ives. Literature, Music, Fine Arts 22/1 (1989): 70-71.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Oestreich, James

Year: 1997
Complete Citation:
Oestreich, James R. “Questing Spirit, Well Met.” The New York Times. 1997: C16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2007
Complete Citation:
Oestreich, James. “Beethoven to Brahms to Ives: Tribute to a Tortured Legacy.” The New York Times, June 9, 2007, B15.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Oestreich, James R.

Year: 1994
Complete Citation:
Oestreich, James R. “MUSIC REVIEW; Trio Plus One Takes on Charles Ives: Review.” The New York Times, August 30, 1994.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Oestreich, James R. “Varese's Memorable 'Ameriques' vs. Ives's Fourth.” The New York Times, May 1, 2000, sec. E, 5. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Oestreich, James R. “Multiple Bands on Parade, Not Afraid to Collide: Review.” The New York Times, August 20, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Oestreich, James R. “Out with Berlioz, in with Ives.” The New York Times, September 7, 2003, AR80.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Oestreich, James R. “From Medieval Song to Ives, A Series of Spring Farewells. (The Arts/Cultural Desk).” The New York Times, May 19, 2004, E3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Offergeld, Robert

Year: 1986
Complete Citation:
Offergeld, Robert. “More on the Gottschalk-Ives connection.” Institute for Studies in American Music Newsletter 15/2 (May 1986): 1-2, 13.
Source: Journal/Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Oja, Carol J.

Year: 1988
Complete Citation:
Oja, Carol J. “Cos Cob Press and the American Composer.” Notes 45, no. 2 (December 1988): 227.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oja, Carol J. and Judith Tick

Year: 2007
Complete Citation:
Oja, Carol J. and Judith Tick. “Report from the Conference: Lifetime Achievement Award for Vivian Perlis.” The Bulletin of the Society for American Music, Vol. 33, No. 2 (2007): 27, 30.
Source: Journal
VI. Topical Studies
Q. Ives Scholars

Oja, Carol J. (editor)

Year: 1982
Complete Citation:
Oja, Carol J., ed. “Charles Ives.” In American Music Recordings: A Discography of 20th-Century U.S. Composers, 171-180. Institute for Studies in American Music. Brooklyn, NY: Brooklyn College of the City University of New York, 1982.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Oliphant, Dave

Year: 2004
Complete Citation:
Oliphant, Dave. “The Pilgrimage.” In Backtracking, 119--122. Austin, TX: Host Publi-cations, 2004.
Source: Poem
XIII. Ives in Literature
A. Poetry

Oliver, Michael

Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls

Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works

Olson, Kenneth E.

Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Olson, Mark

Year: 2006
Complete Citation:
Olson, Mark. “Parallel Lives: Charles Ives and Aaron Copland: A Listener’s Guide.” Music Educators Journal 92, no. 4, (March 2006): 20.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers