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Bibliography

Niemöller, Klaus Wolfgang

Year: 1987-88
Complete Citation:
University of Cologne and Westdeutschen Rundfunk. Charles Ives und die amerikanische Musiktradition bis zur Gegenwart. Cologne and Duisburg, Germany: University of Cologne, 1987-88.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Niemöller, Klaus Wolfgang and Manuel Gervink

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang and Manuel Gervink, eds. Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart": Köln 1988. Regensburg, Germany: G. Bosse, 1990.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Niermann, Franz

Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.
Notes:

Discusses Central Park in the Dark.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nieuwstadt, Jacques van

Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Nishiyama, Keiko

Year: 1991
Complete Citation:
Nishiyama, Keiko. “Die Bedeutung der Zitate in Charles Ives’ zweiter Klaviersonate (Concord, Mass., 1840-60).” Diss., Hochschule für Musik und Theater, Hamburg, 1991.
Source: Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Nitz, Joel Frederick

Year: 1977
Complete Citation:
Nitz, Joel Frederick. “The use of hymn tunes in Charles Ives' second, third and fourth symphonies.” M.A. Thesis, Bob Jones University, 1977.
Source: M.A. Thesis
B. Theses

Nixon, Marni

Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.
Notes:

Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)

Source: Book
IV. Individual Studies by Genre
E. Songs

Noble, David

Year: 1968
Complete Citation:
Noble, David. “Ives Work Introduced by Pianist Mandel.” The Boston Globe, March 27, 1968, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Noble, David W.

Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Norkin, Sam

Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.
Notes:

After the photograph by W. Eugene Smith.

Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Norman, Gertrude and Miriam Shrifte, eds.

Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.
Source: Book
II. Reference Materials
E. Correspondence

Norman Holmes Pearson

Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

Norris, Christopher

Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975
Complete Citation:
Norris, Christopher. Review of Charles E. Ives: Memos, edited by John Kirkpatrick; Charles Ives Remembered, by Vivian Perlis: and Charles Ives and the American Band Tradition, by Jonathan Elkus. Music and Musicians 23/7 (March 26, 1975): 26-27.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Norris, Geoffrey

Year: 2014
Complete Citation:
Norris, Geoffrey. ““Gramophone” Collector: Seattle Symphony Orchestra.” Gramophone, Vol. 92 (2014): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

North, Cheryl

Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

North, Dennis

Year: 1970
Complete Citation:
Dennis North. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. American Reference Books Annual (1970): 374.
Source: Journal
III. Book-Length Studies
C. Book Reviews