Image
Complete Citation:
Rich, Alan. “Contemporary Music Society.” Musical America 81, no. 4 (April 1961): 65.
Bibliography
Genres
Rich, Alan
Year: 1961
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Rich, Alan. “Must We Now Praise Famous Men?” New York Magazine 7/43 (Octo-ber 28, 1974): 95-96.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Richard Dufallo and Brenden Gill, developers.
Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.Notes:
Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).
Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Richardson, Paul Akers
Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
E. Songs
Rickey, Carrie
Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ridgway, Rick
Year: 1994
Complete Citation:
Ridgway, Rick. Three Squirt Dog. New York, NY: St. Martin’s Press, 1994.Source: Book
XIII. Ives in Literature
B. Fiction
B. Fiction
Ridley, Aaron
Year: 2004
Complete Citation:
Ridley, Aaron. The Philosophy of Music: Theme and Variations. Edin-burgh, Scotland: Edinburgh University Press, 2004.Notes:
Central Park in the Dark is cited in Chapter 1, "Understanding": 20-21, 41-44.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Riedel, Johannes
Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Year: 1970
Complete Citation:
Riedel, Johannes. “Ives—His Musical Style.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 17 1970.Source: Lecture
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1973
Complete Citation:
Riedel, Johannes. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Journal of Research in Music Education 13/1 (1965): 61-63;Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.Source: Journal
V. General Music Studies
B. Special Issue Journals
B. Special Issue Journals
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riedel, Johannes and Robert Oudal
Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.Source: Book
III. Book-Length Studies
B. Other
B. Other
Riedel, Johannes, compiler
Year: 1970
Complete Citation:
Riedel, Johannes, comp. A Brief Guide to the Ives Bibliography. University of Minnesota, 1970.Notes:
Ditto reproduction
Source: Book
II. Reference Materials
A. Bibliographies
A. Bibliographies
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes:
Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riedel, Johannes, ed.
Year: 1970
Complete Citation:
Riedel, Johannes, ed. Ives at Minnesota. Minne-apolis, MN: Festival at the University of Minnesota, April-May, 1970.Source: Program Book for Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.Source: Journal
V. General Music Studies
B. Special Issue Journals
B. Special Issue Journals