Image
Complete Citation:
Rodriguez, Jose. “Interest Proved Strong in Modern American Music.” Los Angeles Times January 1, 1933, 30.
Bibliography
Genres
Rodriguez, Joe
Year: 1933
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Rodriguez, José
Year: 1933
Complete Citation:
Rodriguez, José. “An Old Lady Gets Three Shots in the Arm.” Rob Wagner’s Script, January 7, 1933, 6-7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Rodriguez, Paul Anthony
Year: 1985
Complete Citation:
Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rodriguez, Yolanda Maxine
Year: 2008
Complete Citation:
Rodriguez, Yolanda Maxine. “The influence of Charles Ives on the solo piano music of John Cage.” M.M. Thesis, California State University, Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Roedel, Astrid
Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Roeder, Matthew James
Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rogan, William J.
Year: 1994
Complete Citation:
Rogan, William J. “Vorkämpfer einer neuen Schule? Charles Ives zum vierzigsten Todestag.” Das Orchester 42/11 (November 1994): 2-5.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rogers, H.
Year: 1956
Complete Citation:
Rogers, H. “Four Violin-Piano Sonatas; ‘Der Jasager’: Recordings.” The Christian Science Monitor, April 3, 1956, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1966
Complete Citation:
Rogers, H. “Ives Shoots the Works: Comedy of Surprises.” The Christian Science Monitor, 1966, 16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Rogers, Harold
Year: 1955
Complete Citation:
Rogers, Harold. “Truly American Composer.” Christian Science Monitor (May 5): 7.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Roggenkamp, P.
Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Romano, Jacoho
Year: 1969
Complete Citation:
Romano, Jacoho. “Retratos de musicos americanos: Charles Edward Ives.” Buenos Aires Musical 24/398 (July 16, 1969): 3.Notes:
A general article, dis-cussing biography, style, and several works (e.g., Concord Sonata).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Romine, Thomas Howard
Year: 1984
Complete Citation:
Romine, Thomas Howard. “Double String Quartet: Musical Score and Analysis.” D.M.A. diss., Ohio State University, 1984.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Romina de la Sotta Donoso
Year: 2011
Complete Citation:
Donoso, Romina de la Sotta. “Hoy Se Estrena Emblemática Obra De Charles Ives.” Mercurio (Santiago, Chile), August 4, 2011.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ronda, Bruce A.
Year: 2017
Complete Citation:
Ronda, Bruce A. “Charles Ives: Sound.” In The Fate of Transcendentalism: Secularity, Materiality, and Human Flourishing. Athens, GA: The University of Georgia Press, 2017.Source: Chapter in Book
VI. Topical Studies
Roos, James
Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Root, Deane L.
Year: 1972
Complete Citation:
Root, Deane L. “The Pan American Association of Composers (1928-1934)." Anuario interamericano de investigation musical/Yearbook for Inter-American Musical Research/Anuario interamerican de pesquisa musical 8 (1972): 49-70.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosa, Alfred F.
Year: 1971
Complete Citation:
Rosa, Alfred F. “Charles Ives: Music, Transcendentalism, and Politics.” New England Quarterly 44 (1971): 433-443.Source: Journal
VI. Topical Studies