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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rosen, Charles

Year: 2012
Complete Citation:
Rosen, Charles. “Happy Birthday, Elliott Carter!” In Freedom and the Arts: Essays on Music and Literature, 178-186. Cambridge, Massachusetts: Harvard University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rosen, Lee Cyril

Year: 1965
Complete Citation:
Rosen, Lee Cyril. “The Violin Sonatas of Charles Ives.” B.M. thesis, University of Illinois, 1965.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Rosen, Michael

Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rosenberg, Bernard and Rosenberg, Deena

Year: 1979
Complete Citation:
Rosenberg, Deena and Bernard Rosenberg. The Music Makers, 9-11, 80, 91, 190, 198, 329, 407. New York, NY: Columbia University Press, 1979.
Notes:

Cites a spurious song by Ives, with flute obbligato, en-titled "Christopher Mockingbird.”

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rosenberg, Donald

Year: 2005
Complete Citation:
Review of Horowitz, Classical music in America - Donald Rosenberg. Gramophone 82/990 (March 2005): A18.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rosenberg, Marion L.

Year: 2012
Complete Citation:
Rosenberg, Marion L. “Keepers of the Musical Flame; in “Moral Fire,” Joseph Horowitz Offers Portraits of Four Figures from America’s Gilded Age Who Believed that Great Art can Uplift. Music in Particular was at the Heart of their Outlook and Sense of Mission.” The Wall Street Journal, August 30, 2012.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Rosenblum, Joshua

Year: 2001
Complete Citation:
Rosenblum, Joshua. “Ives: Sets for Small Orchestra, Songs.” Opera News, Vol. 66, No. 4 (2001): 53-54.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Rosenblum, Joshua. “Recordings: Choral and Song: Ives: “Songs: Concord Sonata.”” Opera News, Vol. 69, No. 2 (2004): 70.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rosenfeld, Paul

Complete Citation:
Rosenfeld, Paul. “Ives.” In Discoveries of a Music Critic, 315--324. New York, NY: Harcourt, Brace, and Company, 1936.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.
Source: Book
V. General Music Studies
C. Other
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.
Notes:

Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1932
Complete Citation:
Rosenfeld, Paul “American Premieres.” The New Republic 70/907 (April 20, 1932): 273--274.
Notes:

Questions the selection of some of the pieces instead of “one of the larger compositions by Ives,” among others.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “Critics of Music Are Denounced by Composers.” New York Herald Tribune, May 2, 1932, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “A Musical Tournament.” New Republic 71 (June 15, 1932): 121.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives.” The New Republic, July 20, 1932, 262-264.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1933
Complete Citation:
Rosenfeld, Paul. “Two Native Groups.” The New Republic, July 5, 1933, 209-210.
Source: Magazine
V. General Music Studies
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.
Source: Journal
VI. Topical Studies
L. Ives and America