Green, Douglass M.
Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Green, Judith
Year: 1999
Complete Citation:
Green, Judith. “ASO Concert: Superior Music, Small Audience: Home Edition.” The Atlanta Journal-Constitution, October 23, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Green, Judith. “American Ingenuity Appeals to Spano.” Atlanta Journal/Atlanta Constitution, February 13, 2000: sec. L, 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Greenberg, Jacob
Year: 2003
Complete Citation:
Greenberg, Jacob. “Charles Ives's songs: a pianist's perspective.” D.Mus. thesis, Northwestern University, 2003.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Greenberg, Robert
Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Greenfield, Edward
Year: 1959
Complete Citation:
Greenfield, Edward. “Charles Ives and Aaron Copland.” The Guardian, September 5, 1959, 5.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Greenfield, Edward. “Ives from England.” High Fidelity/Musical America 22/4, April 1972, 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Greenfield, Philip
Year: 2012
Complete Citation:
Greenfield, Philip. “Heaven to Earth.” American Record Guide, Vol. 75, No. 4 (2012): 266.Source: Magazine (recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Greenfield, Philip. “Adagio: Consideration of a Serious Matter.” American Record Guide, Vol. 77, No. 2 (2014): 186.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Greenfield, Ruth Wolkowsky
Year: 1976
Complete Citation:
Greenfield, Ruth Wolkowsky. “Charles Edward Ives and the stylistic aspects of his First Piano Sonata.” D.M.A. Thesis, University of Miami, 1976.Source: D.M.A. Thesis
A. Dissertations
Gregg, Thomas A.
Year: 1989
Complete Citation:
Gregg, Thomas A. “Song Composers and their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” Ph.D. diss., Ohio State University, 1989.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gregg, Thomas Andrew
Year: 1989
Complete Citation:
Gregg, Thomas Andrew. “Song Composers and Their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” D.M.A. diss., Ohio State University, 1989.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Greiff, George
Year: 1960
Complete Citation:
Greiff, George. “U.S. Hardly Knows its Great Composer.” The Atlanta Journal and the Atlanta Constitution, October 9, 1960, 4D.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gresser, Clemens
Year: 2009
Complete Citation:
Gresser, Clemens. “Besprechungen: Gregor Herzfeld “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Musiktheorie, Vol. 24, No. 4 (2009): 375-379.Source: Journal (article review/response)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Griffith, Michael Ted
Year: 1987
Complete Citation:
Griffith, Michael Ted. “Analysis and selected stylistic problems of five works for small chamber orchestra.” D.M.A. diss., University of Colorado, 1987.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints: Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.Source: Book
VII. Entries in Larger Volumes
D. Other
Year: 1996
Complete Citation:
Griffiths, Paul. “Critic’s Notebook: Burnishing Ives's Reputation Yet Again.” The New York Times, November 5, 1996, sec. C, 13.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1996
Complete Citation:
Griffiths, Paul. “Burnishing Ives’s Reputation Yet Again.” The New York Times (November 5, 1996) C: 13-14.Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1998
Complete Citation:
Griffiths, Paul. “If Musicality Competes with Sounds of the City.” The New York Times (1998): E5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances