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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

H.C.S.

Year: 1954
Complete Citation:
H.C.S. “Kirkpatrick Heard in 'Concord' Sonata.” The New York Times, January 24, 1954, 86.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

H, J. S.

Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

H. Wiley Hitchock and Vivan Perlis, eds.

Year: 1977
Complete Citation:
H. Wiley Hitchock and Vivan Perlis, eds. An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference. Urbana, IL: University of Illinois Press, 1977.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Haefeli, Toni

Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hahn, Hilary

Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hair, Ross

Year: 2011
Complete Citation:
Hair, Ross. “‘Local Color’: Ronald Johnson, Charles Ives, and America.” Comparative American Studies an International Journal: Idea of Influence in American Literature, vol. 9, no. 2 (2011): 131-145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hale, Philip

Complete Citation:
Hale, Philip. “Mr. Slominsky in Paris.” Boston Herald. July 7, 1931, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
Year: 1931
Complete Citation:
Hale, Philip. “Mr. Slonimsky in Paris.” The Boston Herald, July 7, 1931, 14.
Source: Newspaper
Reprints:

Hale, Philip. “Mr. Slonimsky in Paris.” In <i>Charles E. Ives: Memos</i>, edited by John Kirkpatrick, 13-14. New York, NY: W.W. Norton, 1972.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hall, David

Complete Citation:
Hall, David. “The Quintessence of Ives.” Stereo Review 39, no. 2 (August 1977): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1959
Complete Citation:
Hall, David. “Charles E. Ives on What to Listen for in New Music.” HiFi Review 2/5 (May 1959): 6, 8.
Notes:

Numerous quotations from Essays Before a Sonata.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Source: Magazine
II. Reference Materials
D. Discographies
Year: 1964
Complete Citation:
Hall, David. “Charles Ives: An American Original.” Hi-fi/Stereo Review, Vol. 14 (September, 1964).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1965
Complete Citation:
Hall, David. “A Masterwork Takes Its Rightful Place.” HiFi Review 15, no. 5 (November 1965): 81-82.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Hall, David. “Charles Ives’ Fourth Symphony.” Stereo Review (1965): 55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1967
Complete Citation:
Hall, David. “The Choral Music of Charles Ives.” HiFi/Stereo Review 18/1, January 1967, 73-74.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Hall, David. “Two New Symphonies by Charles Ives.” Stereo Review 33/5 (November 1974): 134-135.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1979
Complete Citation:
Hall, David. “Copland and Ives.” Stereo Review 42, no. 5 (May 1979): 108.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews