Griffiths, Paul
Year: 2000
Complete Citation:
Griffiths, Paul. “Greeting Ives as an Old Familiar Friend.” The New York Times. October 17, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Griffiths, Paul. “American Music That Rattled Berlin.” The New York Times, January 14, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Griffiths, Paul. “The International Guide: Concerts and Opera in the USA, Canada, and Australia: An Oddball Party.” BBC Music Magazine, Vol. 12, No. 9 (2004): SS1.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Grill, Stanley
Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.Source: Book
IV. Individual Studies by Genre
E. Songs
Grimes, Ev, and Nicolas Slonimsky
Year: 1986
Complete Citation:
Grimes, Ev, and Nicolas Slonimsky. “Conversations with American Composers: Ev Grimes Interviews Nicolas Slonimsky.” Music Educators Journal, vol. 72, no. 7 (1986): 40-43.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Grimes, William
Year: 1994
Complete Citation:
Grimes, William. “Artists’ Insurance Policies Tell All.” The New York Times, February 5, 1994.Source: Newspaper
VI. Topical Studies
D. Insurance
Groh, Jack
Year: 1978
Complete Citation:
Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Grout, Donald J.
Year: 1961
Complete Citation:
Grout, Donald J. “Report on the New York Meeting of the International Musicological Society / Rapport Sur La Session De La Société Internationale De Musicologie à New York / Bericht Über Den New Yorker Kongreß Der Internationalen Gesellschaft Für Musikwissenschaft.” In The World of Music, vol. 3, no. 6 (1961): 139-140.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Grover, Sharon, and Lizette D. Hannegan
Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
Grözinger, Jürgen
Year: 2001
Complete Citation:
Grözinger, Jürgen. “The American Way: Das Festival «Neue Musik Im Stadthaus Ulm» 7. Bis 18. Oktober 2001.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 62-63.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Gruen, John
Year: 1961
Complete Citation:
Gruen, John. “Showcase Plays Works of Ives and Ruggles.” New York Herald Tribune, March 3, 1961, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gruhn, Wilfried
Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
Gunden, Heidi von
Year: 1983
Complete Citation:
Gunden, Heidi von. The Music of Pauline Oliveros, 147. Metuchen, NJ: Scarecrow Press, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gutman, David
Year: 1996
Complete Citation:
Gutman, David. “Passing Notes: Composer’s Lives.” Gramophone, Vol. 73 (1996): 21, 23, 25.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Gutman, David. “Review: Orchestral - Ives, Sibelius, Wagner.” Gramophone, Vol. 91 (2013): 66.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gutmann, Peter
Year: 2000
Complete Citation:
Gutmann, Peter. “Classical Notes: American Classical Music Has Etched a Distinctive Voice.” Goldmine, Vol. 26, No. 17 (2000): 80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Gutmann, Peter. “Classical Notes: America’s Greatest Composer: Charles Ives.” Goldmine 26 (April 7, 2001): 48.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
H.C.S.
Year: 1954
Complete Citation:
H.C.S. “Joan Field Gives a Violin Recital: Heard in Brahms Sonata and Works of Mozart, Charles Ives at Town Hall.” The New York Times, October 18, 1954, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances