Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
Heister, Hanns Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Heister, Hanns-Werner and Werner Kremp
Year: 2004
Complete Citation:
Heister, Hanns-Werner and Werner Kremp. Charles Ives, 1874-1954: amerikanischer Pionier der neuen Musik. Amerikanischer Pionier der Sieuen Musik (Atlantische Texte 23). Trier, Germany: Wissenschaftlicher Velag Trier, 2004.Source: Book
III. Book-Length Studies
A. Biographies
Heister, Hanns-Werner, Werner Kremp, eds.
Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann
Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hellmons, Matthias
Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Helm, Everett
Year: 1954
Complete Citation:
Helm, Everett. “Charles Ives, American Composer.” The Musical Times, Vol. 95/1337 (1954): 356-361.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Musical America 83 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical America 83/2 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, and Other Writings, by Howard Boatwright. Musical America, vol. 52 (February, 1963).III. Book-Length Studies
C. Book Reviews
Year: 1973
Complete Citation:
Helm, Everett. Review of Charles E. Ives: Discography, compiled by Richard Warren. Jr. The Music Review 34. no. 2 (May 1973): 175-176.Source: Journal
Year: 1973
Complete Citation:
Helm, Everett. Music Review 34/2 (May 1973): 175-176.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Helm, Everett. Review of An Ives Celebration, edited by H.Wiley Hitchcock and Vivian Perlis. Fontes Artis Musicae 25, no. 3 (1978): 278-279.Source: Journal
III. Book-Length Studies
C. Book Reviews
Helms, Hans G.
Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1964
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives: Leben, Werk, und Ein- fluss auf die heutige Generation.” Neue Zeitschrift für Musik (October 1964) 125/10: 425-433.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1974
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 246-248. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
