Henck, Herbert
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.Notes: Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Henderson, C.W.
Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton
Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes: A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
Henderson, Joyce Joy
Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Henderson, W. J.
Year: 1928
Complete Citation:
W. J. Henderson. “Pro Musica Opens Its Season.” New York Sun (November 15, 1928): 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henderson, William J.
Year: 1925
Complete Citation:
William J. Henderson. “Music.” New York Sun (February 16, 1925).Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Henerson, William J.
Year: 1927
Complete Citation:
William J. Henderson. “Composers Guild Gives Concert.” New York Evening Run (January 31, 1927): 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henry, Barbara D.
Year: 1970
Complete Citation:
Henry, Barbara D. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Library Journal 95/15 (September 1, 1970): 27-88.Notes: Suggests that this is a valuable source book because the Kirkpatrick catalogue had limited distribution.
Source: Journal
Reprints: Henry, Barbara D. “Library Journal Book Review 1970.” New York/London, United Kingdom: R.R. Bowker, 1970: 26.
III. Book-Length Studies
C. Book Reviews
Henry, Derrick
Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Henson, Chris
Year: 1997
Complete Citation:
Henson, Chris. “An American Original - the Music of Charles Ives Provides More Questions than Answers.” Roanoke Times, March 17, 1997, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Hepokoski, James
Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
