Helms, Hans G.
Year: 1974
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 246-248. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G. 1974. “Some Reflections on Charles E. Ives.” In Charles Ives Centennial Festival Conference, edited by H. Wiley Hitchcock, 56--59. New York, NY: G. Schirmer, Inc., and Associated Music Publishers, 1974.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 246-248. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
Hemming, Roy
Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Henahan, By D.
Year: 1973
Complete Citation:
Henahan, Donal. “Music: Hiller String Quartet Evokes Ives, Cage.” The New York Times, 1973: 43.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Henahan, Donal
Year: 1963
Complete Citation:
Henahan, Donal. “Charles Ives’ Music Slips Toward Obscurity: Sports Final, NW Edition.” Chicago Tribune, June 4, 1987.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.Notes: “Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “In Vienna they Neglect Schoenberg, at Tanglewood they Overlook Ives: Music.” The New York Times, June 23, 1974, 121.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Henahan, Donal. “Ives Concert a Success.” The New York Times, July 6, 1974, 14.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Henahan, Donal. “Music: Brass Quintet.” The New York Times, March 26, 1975, 51.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.Notes: Response to “Who Owns American Music?”
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
