Image
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Sorbonne Radio Station, March 8, 1928.
Bibliography
Genres
Heyman, Katherine
Year: 1928
Source: Radio Broadcast
Reprints:
Heyman declared that Ives “endeavors to portray the very soul of Emerson.”
XVII. Radio Broadcasts
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Hfelman, Harold
Year: 1955
Complete Citation:
1955 - H[arold] Hfelman]. "A Father of American Music."Musical Opinion (1956 January) 79/940: 217.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Hick, Brian
Complete Citation:
Hick, Brian. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Musical Opinion 119, Winter 1996, 239.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Hicks, Michael
Year: 1991
Complete Citation:
Hicks, Michael. “The Imprisonment of Henry Cowell.” Journal of the American Music Society 44, No. 1 (1991).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Hicks, Michael. Henry Cowell, Bohemian. Urbana, IL: University of Illinois Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hickman, Larry A., ed.
Year: 2010
Complete Citation:
Hickman, Larry A., ed. “The Deweyan Aesthetic of Charles Ives.” In The continuing relevance of John Dewey: reflections on aesthetics, morality, science, and society. Amsterdam, Netherlands: Rodopi, 2010.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Hiekel, Jörn Peter
Year: 1986
Complete Citation:
Hiekel, Jörn Peter “Verfrühter Neutöner—dreitägiger Workshop über Charles Ives in Bonn.” Musica 40/6: 255-256.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Higbee, Dale
Year: 1970
Complete Citation:
Higbee, Dale. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. American Recorder 11/4 (Fall 1970): 147.III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Higgins, Joan
Year: 1973
Complete Citation:
Higgins, Joan. “Cecilia Society Concert would have Thrilled Ives.” Boston Globe, March 28, 1973, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Higgins, Raymond Harris
Year: 1975
Complete Citation:
Higgins, Raymond Harris. “A conductor's analysis of selected works by Dave Brubeck, Lukas Foss, Alan Hovhaness, Charles Ives and Daniel Pinkham.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1975.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
C. Other
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints:
Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Hill, Dona Jean (compiler)
Year: 1957
Complete Citation:
Hill, Dona Jean. “Concert Hall.” American Composers Alliance Bulletin (Fall 1957) 7/1: 21.Notes:
Two performances of Ives works cited.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Hiller, Egbert
Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hilliard, John Stanley
Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hines, Robert Stephen, ed.
Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.Notes:
An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes:
Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works